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Painting Of History In Brazil Of The Nineteenth Century: Introductory Panorama [a Pintura De História No Brasil Do Século Xix: Panorama Introdutório]

机译:十九世纪巴西的历史绘画:介绍性全景图[十九世纪巴西的历史绘画:介绍性全景图]

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摘要

A rapid overview of Brazilian painting accompanied the political chronology of Brazil in the nineteenth century when the country passed from colony and United Kingdom to Empire to Republic. Not only did artists' relationships with power explain this kind of painting but also their desire to impose their own visions of the past in this incipient intellectual milieu. This became part of a process of constructing memory and forgetfulness peculiar to historical paintings. Fears concerning fragmentation occurring in Latin America with the collapse of Spanish control led Brazil to produce an iconography that emphasized the continuity between past and present as well as its own unity in defense of an external enemy; silence regarding slavery and internal revolts which would not be represented until the Republic and then in the context of local iconographies in keeping with the federative spirit.
机译:对巴西绘画的快速概述伴随着19世纪巴西的政治年代,当时该国从殖民地和英国过渡到帝国再到共和国。不仅艺术家与权力的关系解释了这种绘画,而且他们渴望在这种初期的知识环境中强加自己对过去的看法。这成为构建历史绘画特有的记忆和健忘过程的一部分。由于西班牙控制权的瓦解,拉丁美洲对分裂的担忧使巴西产生了一个形象,强调过去和现在之间的连续性,以及它在捍卫外部敌人方面的团结。关于奴隶制和内部叛乱的沉默,直到共和国出现,然后在与联邦精神保持一致的地方肖像中才体现出来。

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    Christo M.D.C.V.;

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  • 年度 2015
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  • 正文语种 por
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